
You might not be aware of it, but California’s Rogue Wave is everywhere. Albeit the ripple on their 4th full-length output doesn’t go hand in hand with their moniker (a rogue wave i.e. brazen and spontaneous, of tsunami-like scope), Permalight is a happy twist for the tragic heroes. (more…)

From the outset, Jaguar Love’s new album Hologram Jams lights a match under a ton of indie-pop fuel, promising one explosive track after another. (more…)

Hello, it’s Johnny Cash’s new posthumous album appropriately called, American VI: Ain’t No Grave, a continuation of the American record saga that began with and was supervised by producer Rick Rubin. (more…)

Folk-indie-pop artist Matthew Barber has recently released his fifth album, True Believer. Often candid and sweet, Barber’s style restrains itself from long-winded embellishments and ornate arrangements, preferring organic, traditional sounds and progressions without putting anyone to sleep. (more…)

Joanna Newsom’s new album, Have One On Me, is a sparkling structure constructed by the synapses of a scintillating creative spirit. Every compositional element has been carefully carved by a complex, detailed and controlled hand. (more…)

Oakland, Cali’s twenty year strong haze-heads High On Fire return with there cinco studio hot patty Snakes for the Divine. But this time ’round the tumultuous trio sanded down some rough edges to deliver, dare I say, a more “commercial” jaunt. (more…)

Butch Walker saunters a fine line, a ternion of sorts stomping through life as performer, songwriter and producer. Hailed once by Rolling Stone as Producer of the Year, to be exact. Lately, he’s cranked out a solo album de novo with I Liked It Better When You Had No Heart. (more…)

Effortless. Unforced. Easy on the ear listening is what it chalks up to when it concerns Work done by Shout Out Louds. (more…)

Jay Malinowski divaricates with Bright Lights & Bruises, tumbling a long way from the dub reggae sounds of his first love Bedouin Soundclash. (more…)

The 7 tracks of Kollaps Tradixionales have the cryptic quality of memory, like strangely familiar dreams seen dimly through rippled bottle glass and heard crackling through an ancient telephone. Thee Silver Mt. Zion Memorial Orchestra’s new album, recorded in 2009, is a complete concept in which each tune is part of the unified arch. (more…)

Who says doing covers is cheap? Who says making a whole album of covers is ludicrous? Well, certainly not Peter Gabriel who has embarked on an interesting song-swapping project with twelve other artists and bands with his new album, Scratch My Back. (more…)

I have been eagerly waiting for Mumford & Sons to jump across the pond to grace us with a live folktale spectre, but alas they’ve made it as east as Toronto in Canada, and then full stop. I’ve had to settle for a copy of Sigh No More, released four months later than its European debut. (more…)

Returning with Minor Love, his sixth solo album in seven years, Adam Green has crafted a set of charming folk-pop songs that are sure to delight undergrads of all ages. (more…)

The absolutely outspoken Gil Scott-Heron is talking once again. He’s chewing the fat; he’s singing; he’s jiving; philosophizing, revitalizing and just surviving on his new record, I’m New Here. (more…)

With XXXX, Abbotsford quintet You Say Party! We Say Die! have released their third full length album of original material. The excellent opening track There Is XXXX (Within My Heart) signals the band’s modus operandi on XXXX: craft a lyrically sophisticated, melodic, and highly danceable indie pop album. (more…)

You know when you’ve had an embarrassing moment, and it’s not one of those things you can laugh about? Pretty much trounces any self-confidence you had at said moment t minus 1?! Well that’s when you throw on Hot Chip’s One Life Stand. (more…)